This article about a pilgrimage to Spiral Jetty made me pull out my college art history textbook: Gardner's Art Through the Ages, 7th edition. Back then, Gardner was divided into five parts that reflected the West's idea of history: the Ancient World; the Middle Ages; the Non-European world; the Renaissance and the Baroque and Rococo; and the Modern World. When it was my textbook, Spiral Jetty was just about a decade old. I remember staring at the black-and-white photo; the book is filled with such photos, which paradoxically utterly fail to capture the art they represent. Also paradoxically, the inadequacy of that photo made it one of my favorites. It appears on page 869 out of 889 total (excluding glossary and index). The chapter is called simply, "Painting and Sculpture After World War II."
From the epilogue: "The transformation of the world by science and technology is the signal fact that separates the modern epoch from all of the past....The iconic, mythic, and social function of representation has been monopolized by mechanical media -- photography, motion pictures, television. By these means images have been produced and reproduced in countless millions. The art object itself, through sophisticated means of reproduction, loses its uniqueness and it's 'space,' like the original sound of an orchestral performance reproduced in high-fidelity recording....Meanwhile, the Tradition has been dismantled."
How many more pages are there in Gardner today? The Internet tells me there are now multiple editions; one is called A Global History and another The Western Perspective.
We had no idea of the deluge that was to come, just as now we have no idea of the deluge that is to come. Like Spiral Jetty.